my scholastic family, ala midwinter, revolution

And so it begins again, a new book to shepherd into the world. Here are some catch-up shots from ALA Midwinter in January, in Philadelphia, PA. Here are some of the inside pages of REVOLUTION that my editor David L. and I were working with up to the last second, trying to get just-right, sitting at rehearsal the morning of the Scholastic brunch. We'd done this at NCTE, too, the previous November, going over a first-pass of these same pages, looking at design and making some hard decisions. I arrived in Philadelphia and took public transportation to the gig:

Readers' theater with Julia Donaldson, Jon Muth, Rod Philbrick, and Cynthia Lord
Fuzzy photo of Scholastic conference goddess Lizette Serrano, Lucy Christopher, Natalie Lloyd, Lori Benton and me, at the Scholastic brunch.
Barry Cunningham of Chicken House Press with Lori Benton and Lucy Christopher.
Me with my good friend and fabulous teacher Nancy Johnson from Bellingham, Washington.
David Levithan and I rarely have our photo taken together. Here we are, the two people who know REVOLUTION inside and out right now.
Teacher extraordinaire (and great cook) Dean Schneider came (with the equally fabulous Robin Smith) to one of the very first events I ever did for any of my books, at Southern Festival of Books in Nashville, in 2002. I love Robin and Dean. Such champions of books and authors and young readers.
Oh, these women. Maria Gentle, Sharon Grover, Joan Kindig, fellow Children's Book Guild of D.C. members. We've known each other for a long, long time.
Susannah Richards! She shows up and surprises me, every time. I love that.
There's nobody like Candace Greene, Scholastic Fashion Plate and Conference Guru.
Me'n'Cyndi Lord
Arthur Levine and moi, The fuzzy people
Truly the Conference Goddess, Lizette calls us all to order.
Beautiful Philadelphia
Beautiful John Mason
On the way home

It's exciting and nerve-wracking to send forth a new book. For years it belongs just to you, then to you and your editor, then the circle widens, and your publishing family begins to read the manuscript and design the pages and put together the sending-forth plan. Then, pretty soon, the book is out in the world without you, and it doesn't belong to you anymore. It belongs to whoever reads it, then. The reading of the story you've created brings the tale full circle. My Jim always says that story -- like music -- is dialogical. It requires a listener, or a reader, to be complete.

Midwinter was our first coming out. We didn't have galleys yet, but we could talk about the book. Galleys arrived this week, though, and we'll have them for TLA next week -- Texas Library Association in Austin, April 8-10. I'll be there, signing and speaking and greeting and sticking close to my Scholastic family as we help this new book make its first real steps into the world.

I'm going to pack my Nikon. I'm getting better with my phone camera, but I really want people to be in focus! And I really want to remember to just soak up this special time. I am a slow writer. It takes me time to figure out a story and do a good-enough job writing it, revising it, writing some more. Here I am, four years after the publication of COUNTDOWN, ready to introduce readers to book two of the Sixties Trilogy.