Well, it's August, and we've made it as far as Ruby in Summer Reading, hahaha. Lord it has been a busy time. I'm declaring Summer Reading can go into fall and even winter -- I won't abandon it. I hope you stay tuned.
In the meantime, there is this:
from the research trip and getaway I made last week to Maine, to Rachel Carson's cabin by the sea. More on this soon.
I'm juggling (delightedly, gratefully) a particularly rich time in my writing life right now. Here is just yesterday's work:
I finished researching niggling details and sent in final revisions, author's note, acknowledgements, dedication, etc etc, to a picture book I've written about Rachel Carson that publishes next fall (Random House), art by the stupendously talented Daniel Miyares -- all very exciting.
I sent in a revision of the galley letter that will go in front of all KENT STATE galleys -- which will be here very soon. That book publishes (Scholastic Press) in April 2020. Also exciting. We have an amazing cover for this book that I can't wait to share when the time is right.
I prepared for Scholastic's sales conference in NYC next week, where I'll be speaking about KENT STATE to sales reps from across the country. I'm scripting myself for this 5-8 minute talk, and selecting some slides.
I spoke with my agent about illustrators for a picture book I've worked on for many years that may be sold soon. The editor in question wants to take it to acquisitions with an illustrator and vision in mind. Very exciting! So many books take me such a long time to figure out.
I worked back-and-forth with Scholastic audio on listening to auditions and selecting a reader to be Molly for the audiobook of ANTHEM. Also very exciting! We've been bouncing this around for some time -- we have decided on Norman, and we have our narrator, and we were trying to get Molly just right. I think yesterday we found her.
I corresponded with my uber-talented and patient webmistress about moving A LONG LINE OF CAKES off its prominent "new book" position on my home page and moving ANTHEM into its place, and I set up a training time with her, so I can make these changes myself in time.
I answered a backlog of email.
When I showed up mid-afternoon to get my hair cut, here is what I heard: "Your hair is very emotional today!" hahahahaha. Yeah. It's an emotional time. And so very busy. I know how lucky I am.
I got mostly off the road late last year, which has given me the opportunity to write more and have days like I had yesterday, and like I hope to have more of going forward.
I've been writing professionally for 35 years now, in one capacity or another, and working in this book business for a little over 20 years now, publishing books since 2001, and this is the first time I've had TIME stretching out ahead of me.
Part of it is age, and stage, part of it is getting off the road, and part of it is finishing up major projects, like the Sixties Trilogy (which I sold in 2008) followed immediately by KENT STATE.
It's also the first time in 11 years I haven't woken to a publishing deadline. Everything is turned in, finished. It's luscious. I don't want to give up that feeling! But I have work to do. So -- what now?
I have two proposals to write, both for big writing projects. I spoke with my agent this week about those. I have picture books to go back to. A bunch of other writing and home projects I'm eager to paddle around with, in what's left of this summer.
Also, there is housekeeping.
I have a new website! Is it not GORGEOUS? Thank you, Cyndi Craven! We are still tweaking, and having fun with it, and I am ever grateful for such a professional looking site. I hadn't updated my website design in 9 years, since COUNTDOWN was published. Ulp.
Check out the BOOKS page, so lovely, and see how each book's page (click on REVOLUTION for an example) now has excellent information for readers, teachers, librarians, parents, and more. I see this new website as a beautiful workhorse for me into this next part of my writing life. I'll have to do a separate blog post about it at some point.
I'm moving this Blogger blog to my WordPress website soon, just fyi. It's already there, actually, and you can go sub there soon as well, although I won't be completely away from Blogger for some time yet, so no worries if you want to hang out here on Blogger with me while we transition everything.
My idea is to "own my own content" and eventually be off social media platforms and have everything about me at my website. I was off social media for four years, and it did me good. I'm trying to figure out a way to return that works for me. Hence, having all content in one place. More on that as we transition.
In the meantime, I am once again (mostly against my will, hahaha) at Facebook, Twitter, and Instagram (you'll find me here most often because I like the visual storytelling, and it feels less nekkid-making).
And I'm at Pinterest, never left Pinterest, as this is where I catalog resources for my work in progress, so it's a work tool, it's messy, but it's process, and maybe useful to readers... it's certainly useful to me, and I love this tool for that reason.
And I'm here, once again, at the blog, and very happy about that. Thanks for hanging out with me.
xoxo Debbie
Showing posts with label second half of life. Show all posts
Showing posts with label second half of life. Show all posts
on being a late bloomer
This is the hashtag I used on Instagram -- #teachinghongkong2015 -- to document in photos my trip to Hong Kong this month. You can find photos of the trip there, and even more on Facebook, here, along with a few thoughts about teaching writing to students who are learning to be fluent in both English and Mandarin Chinese.
We mainly focused on personal narrative and moments we could add color and flavor and texture to, characters we could create from those moments -- and how to make them come alive on the page -- and then we moved into fiction with them.
We used several mentor texts, including FREEDOM SUMMER, LOVE RUBY LAVENDER, and EACH LITTLE BIRD THAT SINGS.
I learned to write by reading like a writer, modeling my writing on what I admired, then making it mine, so that's how I teach. I turn my life into stories. I understand how I do it. I have broken it down to the foundations of how it works, and it's always a stretch and a pleasure to share it with young writers and their teachers.
I am a writer who teaches, and to that end, I will always be a writer first. I have developed my teaching over the past twenty years by teaching in classrooms, from K through college, and I know that what I have to offer is substantial, meaningful, useful, and offers a lasting toolbox partner for teachers and their young writers to use for years to come.
And yet.
I am thinking about who I am today, as Jim and I return home to spring in Atlanta -- we left in a February snowstorm. This ruminating always happens after I am thrust for a sustained time into an unfamiliar environment, where I am constantly thinking on my feet, meeting new people in new cultures, learning new customs and traditions (and food!) and discovering how people make meaning in their lives.
Traveling, especially internationally, invites me to rethink everything. Invites me to make meaning. It reminds me of my young life, when, as a teenager, I became a mother, and a wife to a boy I did not know, and moved to a place I did not understand, with no support, with people and customs I could not comprehend, and with fear and isolation so complete it would take me years to assimilate and integrate and create meaning from it.
So I am thinking.
I want to chronicle some of that thinking here on the blog. I'm going to play with short posts about what I'm discovering, and just see where it leads me. I can feel myself entering a time of change. I'm working on a sort of manifesto for my sixties. God. I grew up in the sixties, and now I *am* sixty. 61. Talk about a late bloomer.
I raised a family first. I was homeless first. I was lost, first. I had to find ways to stabilize my life and my children's lives, first. I had to live some, first. Make sense of some things. Find my way into my life. Do a whole lot of different things with my life and teach myself how to do... pretty much everything. It would take me time to learn how to help myself, so I could help someone else.. I taught myself how to write so I could tell my stories and find home, belonging, safety, meaning, love.
My first book was published the year I turned 48. I went back to school that year and got my credentials to teach -- I'd been teaching informally for years without them. I became suddenly single that year. My heart was broken. I wrote EACH LITTLE BIRD THAT SINGS in response to that loss.
By the time I turned fifty, I had lost not only the long-years marriage, but my mother and my father and my siblings and my home of 25 years and my hometown. My youngest of four graduated and left home for college. I moved to Atlanta. The dog died. My beloved editor was fired. My publishing house was decimated.
The bitter was tempered by the sweet. I had created a support system by that time, and my friends became my family. They held the space for me, held me up until I could stand on my feet again. I met my husband, Jim. We had a three year long-distance relationship, a three year Atlanta relationship, and then we married. My books did well in the world, even though my life was so chaotic for a time, I couldn't always appreciate it or participate in the book community that celebrated all of it. Much of my life was a blur.
Little by little, though, I came back from a devastating time of loss. My children grew into interesting, resilient adults and began to blossom. I began to create a home, here in Atlanta, a family home, a home for friends, a home for my own heart to rest in once again.
It took me a long, long time to do this. I was scared, and once again lost, even in the midst of the sweetness. But I kept writing. I kept teaching. I kept on trying. I have been emerging from that difficult place, once again forging an identity and discovering who I am. Making meaning. It's a process. Life long.
I am happy to be here. I love my life. I know how lucky I am.
We mainly focused on personal narrative and moments we could add color and flavor and texture to, characters we could create from those moments -- and how to make them come alive on the page -- and then we moved into fiction with them.
We used several mentor texts, including FREEDOM SUMMER, LOVE RUBY LAVENDER, and EACH LITTLE BIRD THAT SINGS.
I learned to write by reading like a writer, modeling my writing on what I admired, then making it mine, so that's how I teach. I turn my life into stories. I understand how I do it. I have broken it down to the foundations of how it works, and it's always a stretch and a pleasure to share it with young writers and their teachers.
I am a writer who teaches, and to that end, I will always be a writer first. I have developed my teaching over the past twenty years by teaching in classrooms, from K through college, and I know that what I have to offer is substantial, meaningful, useful, and offers a lasting toolbox partner for teachers and their young writers to use for years to come.
And yet.
I am thinking about who I am today, as Jim and I return home to spring in Atlanta -- we left in a February snowstorm. This ruminating always happens after I am thrust for a sustained time into an unfamiliar environment, where I am constantly thinking on my feet, meeting new people in new cultures, learning new customs and traditions (and food!) and discovering how people make meaning in their lives.
Traveling, especially internationally, invites me to rethink everything. Invites me to make meaning. It reminds me of my young life, when, as a teenager, I became a mother, and a wife to a boy I did not know, and moved to a place I did not understand, with no support, with people and customs I could not comprehend, and with fear and isolation so complete it would take me years to assimilate and integrate and create meaning from it.
So I am thinking.
I want to chronicle some of that thinking here on the blog. I'm going to play with short posts about what I'm discovering, and just see where it leads me. I can feel myself entering a time of change. I'm working on a sort of manifesto for my sixties. God. I grew up in the sixties, and now I *am* sixty. 61. Talk about a late bloomer.
I raised a family first. I was homeless first. I was lost, first. I had to find ways to stabilize my life and my children's lives, first. I had to live some, first. Make sense of some things. Find my way into my life. Do a whole lot of different things with my life and teach myself how to do... pretty much everything. It would take me time to learn how to help myself, so I could help someone else.. I taught myself how to write so I could tell my stories and find home, belonging, safety, meaning, love.
My first book was published the year I turned 48. I went back to school that year and got my credentials to teach -- I'd been teaching informally for years without them. I became suddenly single that year. My heart was broken. I wrote EACH LITTLE BIRD THAT SINGS in response to that loss.
By the time I turned fifty, I had lost not only the long-years marriage, but my mother and my father and my siblings and my home of 25 years and my hometown. My youngest of four graduated and left home for college. I moved to Atlanta. The dog died. My beloved editor was fired. My publishing house was decimated.
The bitter was tempered by the sweet. I had created a support system by that time, and my friends became my family. They held the space for me, held me up until I could stand on my feet again. I met my husband, Jim. We had a three year long-distance relationship, a three year Atlanta relationship, and then we married. My books did well in the world, even though my life was so chaotic for a time, I couldn't always appreciate it or participate in the book community that celebrated all of it. Much of my life was a blur.
Little by little, though, I came back from a devastating time of loss. My children grew into interesting, resilient adults and began to blossom. I began to create a home, here in Atlanta, a family home, a home for friends, a home for my own heart to rest in once again.
It took me a long, long time to do this. I was scared, and once again lost, even in the midst of the sweetness. But I kept writing. I kept teaching. I kept on trying. I have been emerging from that difficult place, once again forging an identity and discovering who I am. Making meaning. It's a process. Life long.
I am happy to be here. I love my life. I know how lucky I am.
62
The lights were low, the cake was chocolate, the musicians were in top form, the singers were like angels, and the love was all around.
I think this is what happens when friends become family. I think these are the gifts of time spent together, years blending each into the next, good times and bad times shared. Gifts of music and birthdays and time to savor one another's company.

Happy Birthday, old man. We love you.
I think this is what happens when friends become family. I think these are the gifts of time spent together, years blending each into the next, good times and bad times shared. Gifts of music and birthdays and time to savor one another's company.
Happy Birthday, old man. We love you.
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